The French Jacket Experience (guest post) Julie Starr

10 Mar The French Jacket Experience (guest post) Julie Starr

My friend and co-author, Julie Starr dedicates each January (+) to sewing a couture garment. She’s hooked on French Jackets and generously shares her experience below. Enjoy 🙂

The allure of the classic French jacket – its mystique has captivated for years. Long before rediscovering garment sewing several years ago I admired this garment for its timeless elegance on the outside, never understanding that the magic on the inside is the real story. Quilting lofty boucle to silk lining with rows of stitches that are all but invisible from the outside produces a sumptuous quality double layer that hugs the body almost like a sweater and feels like heaven to wear.

While creating this garment is a lengthy process with a great deal of hand sewing (many have estimated it to take anywhere from 70 to over 100 hours) none of the steps are particularly difficult. I find the slow and steady pace to be relaxing and contemplative, thoroughly enjoying the rhythmic repetition, the time honored techniques and the effort of perfecting one stitch after another.

If one were ever to splurge on materials and trims, now is the time! Given the amount of labor invested, only the best will do. Quality boucle can be sourced at many online retailers – some of the more popular are Linton Direct UK, Elliott Berman, Mendel Goldberg, B&J and Emma One Sock. You’ll still be thousands of dollars ahead in the end. Did you know that the price of an off-the-rack Chanel original averages around $5000 and the made-to-measure haute couture version begins at upwards of $15,000 to $20,000?

For anyone interested in trying these techniques for the first time, Craftsy’s class  The Iconic Tweed Jacket, Lorna Knight  offers great value and an approachable starting point.  A few of the steps have been simplified and there are some shortcuts taken but I was truly thrilled with the success achieved on my first jacket and came away with the confidence to move to the next level.

 
For a full-on couture experience, Susan Khalje’s class, in-person or on-line, is thought by many to be the gold standard. True haute couture methods are employed throughout and her three piece sleeve with vent allows for prominent placement of featured trim and fancy buttons, both true hallmarks of Chanel.

A perfectly fitted muslin (or toile) is your best friend when beginning this project. Vogue 7975 is the pattern many use since its shoulder princess seams permit the best opportunity for bust adjustments.

Once necessary adjustments have been made and the muslin fit is perfected, it is cut apart on the seam lines and used as the jacket’s actual pattern. No seam allowances are added; they are not used in couture sewing. For optimum accuracy, each piece is thread traced along the seam lines on a single layer of fabric and it is these lines that are matched throughout construction.

Each boucle piece is then machine quilted to its corresponding lining segment and the boucle layer is assembled while keeping the lining edges free to be hand fell-stitched together on the inside.

The control one has by hand stitching is truly unmatched. Before falling in love with couture sewing I would have avoided hand stitching at all costs but I now find myself including some on nearly everything I sew. Collars, cuffs, facings and basting of any sort; they all benefit greatly from the accuracy of hand stitching.
Next each seam is carefully pinned and fell stitched closed by hand.

Once the “vest” has been completed the sleeves are similarly assembled then attached to the jacket entirely by hand.

Front hook and eye closures are added and the jacket’s trim is hand applied before fell-stitching the outer edges of the lining closed.

The desired number of pockets and their placement is determined and they are constructed and trimmed in the same manner as the jacket. Each is backed with hand stitched silk lining and matching trim is applied.

Finally, decorative buttons are added to the sleeve vents and pockets and the iconic chain is stitched along the inner hemline. The chain is said to counterbalance the weight of heavy buttons and prevent the jacket from slipping forward on the shoulders but primarily it adds that special touch of luxury on the inside!

While I have made a matching skirt for all but one of my five French jackets, they are most often worn with jeans, proving there is a place in every wardrobe for this classic you will be proud to say you’ve created yourself. No one will ever believe you made it. 😉

Thank you, Julie!